Friday, January 20, 2017



Trailer for THE LOST CITY OF Z
Andrew Sieger

If Raiders of the Lost Ark instilled a love of explorers and adventurers then you should know the story of Colonel Percy Fawcett and his ill-fated journey to find the Lost City of Z.  Fawcett was a real life surveyor and map maker of the Amazon jungle who became obsessed with finding the remains of a lost civilization.  What makes his tale so famous and legendary is that in 1925, Fawcett entered the jungle with his son and a family friend… and was never heard from or seen again.
The quest to find Colonel Fawcett has taken on a life of its own and has almost eclipsed the man himself.  Now comes the latest trailer for a gorgeous looking film based on the excellent book, “The Lost City of Z: A Tale of Deadly Obsession in the Amazon” by David Grann.
The film, directed by James Gray, looks like an old fashioned adventure tale that tries to get into the mind of what would make a happily married family man leave the comforts of London and travel to the dangerous unexplored regions of the Amazon jungle.  The trailer also shows us that Percy Fawcett consulted psychics and felt that his mission was divinely inspired.  The cinematography looks sumptuous and conveys the appeal of adventure; of venturing into the blank spaces on a map, of following the bend in the river and seeing a magnificent city that has remained hidden for thousands of years.
            Fawcett remains one of the most enigmatic figures in the history of exploration.  Maybe this film will inspire another attempt to find out what happened to this courageous and heroic man? 
            The film stars Charlie Hunnam as Fawcett, Sienna Miller as his wife and a pair of excellent English actors, Tom Holland and Robert Pattinson.  Hunnam, in a part originally to be played by Brad Pitt, can sometimes be a bit wooden and stiff.  I was especially disappointed by his lack of screen presence in Pacific Rim.  But I’m willing to give him a chance to inhabit this rich character and make us empathize with the obsession to explore the unknown.  He certainly looks the part.
            Unfortunately, the film itself remains just a little further around the bend.  It opens in the U.S. on April 14th.


Thursday, January 19, 2017

LITTLE MISS LOGAN



LITTLE MISS LOGAN


Andrew Sieger
Have we finally reached the moment in the Age of Comic Book movies where we're blissfully done with origin stories (C’mon, lets see the death of Bruce Wayne's parents one more time!) and maybe moving into an interesting era where actors, writers and directors can take chances and make a mature, intelligent comic book film?
Check out the new Logan trailer and accompanying article at Deadline.  It seems we might be getting the movie we've been waiting for.  Hugh Jackman (in his final appearance as Wolverine) has a burnt-out, dusty vibe that may allow the talented actor to bring depth and gravitas to the beloved comic book character.  He shows us his heart as well as his claws by protecting a young mutant, Dafne Keen, with similar abilities to Logan from the metal hand of the super cool Boyd Holbrook (the awesome Netflix show, Narcos).  Along for the ride across the wind swept, sun soaked, Tex-Mex border landscape is Patrick Stewart as his mentor Professor X.
“She’s just like you.  Very much like you.” says the Professor.  In this tale of hope and redemption, Logan must save the young girl and save himself.  If you've read the graphic novel the film is based on, you know there is much more to the story than this exciting and well edited trailer lets on. The fight scenes look badass and the serious tone (and lack of stupid jokes) makes me think this one has a chance to be special.
I am a bit skeptical of words like "gritty" since the false promise that is Star Wars: Rogue One.  So it’s good to see Scott Frank (Get Shorty, Out of Sight, Minority Report and The Lookout) listed as one of the writers.  Director James Mangold told Deadline, "Hugh didn’t want to do it unless we could do something different.” So, he pitched, “What if we made Little Miss Sunshine with Marvel characters and violence?”
Sounds good to me.

Friday, January 13, 2017

TABOO's Tom Hardy - A Man Possessed



TABOO’s Tom Hardy – A Man Possessed


Andrew Sieger

            A man, cloaked in black, stands on the bow of row boat.  James Keziah Delaney is crossing the River Styx returning from Hades, the Land of the Dead. 
Not really.  Well… maybe?  Either way, it’s going to be a lot of fun finding out.
            James Delaney is played by the brilliant Tom Hardy in FX’s newest series, Taboo, on Tuesday nights at 10pm.   
            The good folks at Variety tell us, among many other things, the story for this compelling and enigmatic new series was conceived by the actor’s father, Chips Hardy.  Tom Hardy himself said the character of former East India Company soldier is a combination of Bill Sikes from Oliver Twist, Marlow from Heart of Darkness with a bit of Jack the Ripper.
            I’m sold!
            While the traits of those characters can be seen, the end result is pure Tom Hardy.  From the moment he steps ashore, Hardy continues his impressive string of performances that, I dare say, remind me of a young Marlon Brando in power, presence and charisma.  He’s here to blow this world apart and from the expressions on the faces of everyone who sees him (and thinks he’s dead), they know and fear he can and will shake the rafters and bring the entire house down.
            Said house is the desire of the East India Company to gain possession of an island off the shore of Vancouver, British Columbia that Hardy’s father has left in his will.  At first, the task seems easy for the wonderfully slimy Jonathan Pryce as Sir Stuart Strange (with a name like that…), the head of the East India Company.  He will buy the land from Hardy’s sister who, along with her scumbag husband, is cash strapped and ready to sell.  But along comes Hardy as James Keziah Delaney who has the rightful claim to the island as his father’s heir.
            In the premiere episodes thrilling climactic scene, Delaney meets with the heads of the East India Company.  Something happened to Delaney on his travels that has turned him against his former employers and turned him into a man possessed by a power born of rage and revenge.
            He reminds Sir Stuart Strange that he was a tool used by the British Empire.  An empire built on the backs of slaves, slave traders and the genocide of native peoples.  Delaney will not allow his island, the native home of his mother, which his father bought for beads and gunpowder, to be used to further enrich the King.
            Creator/Writer extraordinaire Steven Knight has created a world full of shadows and secrets.  A world where everyone’s eyes tell us they’ve done terrible things in the past and are afraid those events will be known or worse, repeated.  The story walks the difficult line between mystery and frustration.  We are given just enough information to relate to the characters but not enough to completely trust them.  I’ve only seen the first episode but I was on the edge of my seat for each and every moment.
            Knight deftly sets up so much conflict and puzzles in the premiere episode, he hooks us like a big mouth bass.  What did James bury?  Who poisoned his father?  What is the secret between him and his sister?  What role will his father’s illegitimate son play and who are his real parents?  What will Jonathan Pryce and the East India Company do to convince James to sell the island?
            Will I be glued to my couch watching FX on Tuesday nights at 10pm for the next 8 weeks? 
            I'll be there like a man possessed.

Wednesday, January 11, 2017

Rian Johnson, You're My Only Hope. The director of Star Wars Episode VIII reveals some information that I find as disturbing as Darth Vader did with Admiral Motti’s lack of faith.


Rian Johnson, You’re My Only Hope


Andrew Sieger


            According to an interview in USA Today, Rian Johnson reveals some information about Episode VIII that I find as disturbing as Darth Vader did in Admiral Motti’s lack of faith.

The only way I could stomach the juvenile, hokey and just plain stupid elements of The Force Awakens (starting with “So, who talks first?  Do you talk first”) was because of the promise of the next two Star Wars films being something different, something risky and perhaps something special.

            The promise was the ultra-cool concept of Rogue One.  To take an idea every Star Wars fans has dreamed about, to take the one line about the spies who stole the plans for the Death Star and make a movie around it sounded like a brilliant idea to me.  Then they told us it would be a blue-collar, gritty, war movie.  I could not wait.

            Then I saw it.  And it was awful.  Boring.  Dull.  Shallow.  The actors speak the lines like robots devoid of emotion.  The action scenes were forgettable and cliché.  Did anyone really think Diego Luna was dead and wasn’t going to come back and save her?  Not very different at all from The Force Awakens.

            We all knew after seeing Godzilla that Gareth Edwards doesn’t know shit about story or character.  With Rogue One, he abdicated the story duties to Hollywood hacks and brainless Executives who reshot and ruined anything that might have been cool.  The Darth Vader scene at the end is one of the most obviously tacked on scenes in movie history.  The fact that it’s the best scene in the movie highlights how bad the rest of Rogue One really is.

            When it was announced that King of the Hollywood Hacks, JJ Abrams, was stepping down from directing Episode VII and being replaced by one of the best young directors in the business, Rian Johnson, I was ecstatic.  Rian Johnson comes from the world of low budget, character driven, independent movies like Brick and The Brothers Bloom as well as some of the best episodes of Breaking Bad.  Looper proved he could handle special effects, big time stars like Bruce Willis while maintaining characters, emotion and story.

            I had hope.  New Hope, you might say.  Now I have dread.

            In the USA Today interview, Johnson says, “I want it to be a blast and to be funny and to be a ride the way The Force Awakens and the original Star Wars movies were.”

            Funny?  Who the fuck wants funny?  Sure, a few sarcastic lines to break the tension is necessary but to describe the film as funny, not intense or exciting, makes me very worried.

            Another promise was Episode VIII would echo the structure of the original trilogy and have the middle installment be dark and introspective.  Everyone worth their salt knows The Empire Strikes Back is, hands down, not only the best Star Wars movie but perhaps the greatest sequel in movie history.  Why?  Not because it’s funny – but because it’s serious and mature.

            Didn’t Adam Driver promise us back in September of 2015 in Variety that Episode VIII would be dark and disturbing, very much like The Empire Strikes Back and very different from other Star Wars films?  You bet your ass he did!

            What the fuck is going on here?  The statements are in direct contradiction.  That scares me more than anything.  Did the success of The Force Awakens make the greedy jerkoffs at Disney fearful of something different and risky? 

            If not for Rian Johnson I’d give up and bury the franchise.  I remain cautiously optimistic that he could use the Force, let go and conjure up a classic.  But instead of expanding the scope and tone and thereby expanding our movie going experience, I fear we are going to get more of the same.  Instead of breaking into new territory, we are going to retread over tired ground.

            C’mon, Rian Johnson, stand up to those studio fools.  You’re the storyteller, not them.  Remember Brendan from Brick, the Brothers Bloom and Walter White.  All these characters are dark, serious and flawed.  Yet, they are fascinating and unforgettable.  Darkness is nothing to be afraid of.  It’s where we find out who we really are.  Out of darkness comes illumination.

            I fear the shadow of the Corporate Star Wars Empire has fallen over the galaxy. 

Help me, Rian Johnson, you’re my only hope.

Tuesday, January 10, 2017

The Tools of Conquest: An Analysis of The Twilight Zone Episode "The Monsters Are Due on Maple Street"



THE TOOLS OF CONQUEST

An Analysis of

The Twilight Zone Episode:

“The Monsters Are Due On Maple Street”


Andrew Sieger                                                                                                  
asieger@yahoo.com



“Maple Street, U.S.A.  Late summer.  A tree-lined little road of front porch gliders, barbecues, the laughter of children, and the bell of an ice cream vendor.  At the sound of the roar and the flash of light, it will be precisely 6:43pm on Maple Street.
This is Maple Street on a late Saturday afternoon.  Maple Street - in the last calm and reflective moment - before the monsters came.”
The smooth yet ominous voice of the Narrator (writer, producer Rod Serling) invites us into the idyllic world of America in the year 1960.  America seemed serene and perfect yet lurking beneath the surface was the Cold War threat of nuclear annihilation, awful racial divisions and overt sexism.  America is yet to be shattered by the JFK assassination and the war in Viet Nam.  Maple Street, a microcosm for the country, is disrupted when a fiery meteor streaks across the sky.  Something unexpected arrives from the unknown.  Something alien.  Something not us.
The meteor passes overhead and knocks out all the electronic and mechanical equipment on the block goes out.  Anything mechanical is rendered useless; no transistor radios, even the automobiles are dead.  It wipes clean anything modern and technological.  This is no ordinary blackout.  The adults are at a loss.  As frightened, desperate people often do, they seek answers from anyone willing to provide them.  In this case it’s a twelve year old boy, Tommy, in cuffed blue jeans and Howdy Doody haircut, explains the meteor is a UFO from Outer Space.  It has knocked out the power as a prelude to an invasion.  He goes on to tell the crowd the aliens have sent an advance party ahead to pose as humans until the attack begins.  The Invaders are people who look and act just like everyone else but underneath they are alien.  They are other.  They don the guise of father, mother, son and daughter.  This perfect family is really a 5th column sleeper cell determined to destroy our society. 
As the seemingly ridiculous ideas brought forth by Tommy are believed to be true, there is a montage of the terrified faces of the residents of Maple Street.  A chill runs down our spine as we see once rational people overtaken by fear and baseless nonsense.
Across the street, Les’ car starts up all by itself.  Everyone, including Les, is dumbstruck as to how and why his car’s engine fired up without anyone turning the key.  Instead of maintaining solidarity, the neighbors begin to suspiciously question, Why him? Why his car?
“He didn’t come out to look at the meteor,” a neighbor says.
Another neighbor, Charlie adds, “He always was an oddball.  Him and his whole family.  Real oddballs.”
They form a tight group, a mob, to walk over and try to get some answers.  A woman confess’ something she previously kept to herself until now.  The state of panic frees the townsfolk to unleash thoughts they would normally keep to themselves.  She has seen Les “up in the wee hours of the morning looking up to the sky. As if he was waiting for someone.  As if he was looking for something.”
Les claims to have insomnia and staring up at the star relaxes him.  On any other day that’s a believable, rational excuse but today is different.  The crowd steps back in fear.  He is no longer their friend and neighbor.  He is the other.  The power of the mob is to single out an individual and cast them as a monster.  Les, sensing their fear of him, warns them, “You’re starting something here.  That’s what you should be frightened of.  You’re letting something begin here that’s a nightmare.”


After the commercial break, night descends as the once peaceful citizens of Maple Street stand outside their homes like sentries on guard duty.  They watch Les but they also watch each other.  Charlie says, “Under normal circumstances we could let it go by.  But these aren’t normal circumstances.”
That’s the excuse of every demagogue or dictator who uses unexpected events to seize power.  He continues, “It’s like going back to the Dark Ages or something.” That’s the perfect description for what’s happening on Maple Street.  The Dark Ages were a time of fear and superstition when the mysteries of science was so far beyond the comprehension of people, they sought answers in religion, who, in turn, used fear to control them.  Witch Hunts and Inquisitions were held not as much to identify and eliminate the enemy as it was to placate and satisfy a terrified populace.  The harbinger of fear and doom in the Dark Ages, among many things, was a meteor. 
The loudest, most vocal, most accusatory fool becomes the leader of the mad, insatiable gang.  On Maple Street, that fool is Charlie.   He accuses the rational man, Steve Brand; the level headed one who tries to diffuse the situation, of being in league with the beast. 
Steve shouts at Charlie and the others, “Stop telling me who’s dangerous and who isn’t.  And who’s safe and who’s a menace.  You’re all set to find a scapegoat.  You’re all desperate to point some kind of finger at a neighbor.  Believe me friends, the only thing that’s going to happen is we’re going to eat each other up alive.”
And, unfortunately, that’s exactly what happens.
They hear footsteps approaching.  A shadow emerges from the darkness.  It slowly walks towards them.  A montage of frightened faces shows us the fear gripping and tightening the denizens of Maple Street. 
Tommy says, “It’s the monster!  It’s the monster!”
Charlie grabs a gun.  He wants to prove he’s stronger than Steve.  He has to protect the rest of us.  He shoots the monster.  With one shot this terrifying beast falls to the ground.  Finally, everyone is safe and the monster is dead. 
But it turns out the monster was fellow neighbor Pete Van Horn who, at the start of this nightmare, walked over to the next block looking for help.  Charlie realizes he murdered an innocent man and panics.  He’s sorry.  He didn’t know.  He was only trying to protect his family. 
Then the lights go on in Charlie’s house.  Why is he the only one with lights?
He’s the monster!  The horde turns on its de-facto leader, even Les joins in and says Charlie is the monster – glad the spotlight’s off him.  Les adds to the pyre by saying Charlie accused everyone else and murdered Pete Van Horne because he’s the monster.  The crowd fumes into a frenzy.  They throw rocks at Charlie and cut his forehead.  Blood drips down his face.  Desperate to save himself he offers up the real answer.  “I know who the monster is.  I know who doesn’t belong among us,” he says, “It’s the kid.  It’s Tommy.  He’s the one.”
A leader seizes power by claiming to be the one, the only one, who can show you and defeat the monsters among us.  To the terrified people of Maple Street it makes sense.  Tommy knew what was going on from the start.  He knew the infiltrator’s plan.  How could he know unless he’s one of them?  Unless he’s the monster?  Steve pleads for them to stop.  The mob doesn’t want to stop.  They want to be reassured their fears are real.  They want an antidote to the evil.  They want blood. 
The pack chases after the young boy and his mother.  They stop when they see lights go on and off in different houses.  Everyone is accused of being the monster.  Total madness erupts on Maple Street.  Off kilter camera angles effectively convey the insanity.  Everyone is accused of being a monster.  Maple Street is demolished in a hail of screams, broken glass and gunshots.  Their tiny Utopia is destroyed, not by the monster, but by its own citizens. 
We pull back from the deadly lunacy to reveal who is responsible for the loss of power.  In a classic Rod Serling – Twilight Zone twist, an alien spaceship is perched on a hill overlooking the block.  Tommy was right, the meteor was a UFO.  Two Aliens watch the people rip apart their once idyllic home. 
“Throw them into darkness for a few hours and then sit back and watch the pattern repeat itself.  …They pick the most dangerous enemy they can find.  And it’s themselves.  All we need do is sit back and watch.  …The world is full of Maple Streets.  We’ll go from one to the other and we’ll let them destroy themselves.  One to the other.  One to the other.  One to the other.


 The voice of the narrator returns, “The tools of conquest do not necessarily come with bombs and explosions and fallout.  There are weapons that are simply thoughts, attitudes, prejudices – to be found only in the minds of men.  For the record, prejudices can kill and suspicion can destroy, and a thoughtless, frightened search for a scapegoat has a fallout all of its own – for the children and the children yet unborn.  And the pity of it is that these cannot be confined to the Twilight Zone.”
In most cases, the enemy does not have the power to destroy our society – only we can bring end to our freedom and democracy in our own country.  This parable, written in 1960, was an allusion to communist witch hunts like the McCarthy Hearings but seeing it today reveals that Rod Serling was not commenting on any one event or person but on human nature.  He had no idea that terrorism would become the biggest fear of Americans.  But he knew the dangers of a mob and the power of the mob mentality to overtake the minds of people.  He wanted to show it in all its ugliness and stupidity.  He wanted to show us how not to act and the dire consequences if we give in to fear and prejudice.  Our destruction will not come with bombs or bullets.  It will arrive when we form an irrational horde and turn on our friends and neighbors because they look, act or worship differently than us.  Then we become the monsters.
Rod Serling usually ends his narration in the opposite way he does here.  He often says, “…and these things can only happen in the Twilight Zone.” But for this very special episode with a very special message - a message that could save this country in the event of another terrorist attack - he warns us that it could happen anytime, anywhere.  We all live on Maple Street.  We are all citizens of… The Twilight Zone.